This is an original hand-pulled linocut relief print that explores subterranean weight, industrial memory, and the friction between natural geological formations and structural tension.
Carved with deliberate gouge marks and dense directional cross-hatching, the composition moves between light and shadow—evoking cavernous rock strata and liminal landscape topographies.
This piece functions as a standalone fine art print and as an integral modular component within the larger 6-part installation, Between the Hollow and the Wire. When viewed individually, it captures a concentrated fragment of subterranean depth; when integrated into the larger modular installation, it interacts dynamically with adjacent panels to form a continuous visual dialogue on space, memory, and industrial heritage.
2026
This is a linocut printed on lovely Arnhem 1618 245gsm paper.
From a limited edition of 12
Size: 31 cm x 44 cm (12.2 in × 17. 3 in)
The work is signed and numbered by the artist.
Each linocut print will not be identical to the next, due to the nature of the printing process, but this adds to its unique quality.
This is an original hand-pulled linocut relief print that explores subterranean weight, industrial memory, and the friction between natural geological formations and structural tension.
Carved with deliberate gouge marks and dense directional cross-hatching, the composition moves between light and shadow—evoking cavernous rock strata and liminal landscape topographies.
This piece functions as a standalone fine art print and as an integral modular component within the larger 6-part installation, Between the Hollow and the Wire. When viewed individually, it captures a concentrated fragment of subterranean depth; when integrated into the larger modular installation, it interacts dynamically with adjacent panels to form a continuous visual dialogue on space, memory, and industrial heritage.
2026
This is a linocut printed on lovely Arnhem 1618 245gsm paper.
From a limited edition of 12
Size: 31 cm x 44 cm (12.2 in × 17. 3 in)
The work is signed and numbered by the artist.
Each linocut print will not be identical to the next, due to the nature of the printing process, but this adds to its unique quality.
✋ Hand-Burnished
Printed entirely by hand using a traditional wooden baren—no mechanical press used.
✒️ Hand-Carved
Carved into traditional hessian-backed linoleum using Swiss gouges.
📜 Archival Quality
Pulled on heavy, acid-free archival paper with professional relief inks.
